Four legs good

I’ve been drawing a lot of animals recently. It started with a great course at the school called ‘Man and Beast’ exploring the relationship between creatures and humans, and I’ve been rather hooked on fur and feathers since. I’m also smitten with our new addition, a little moggy by the name if Minnie (or ‘Meowie’, as she has become known for obvious reasons). Of course animals make rubbish models as they won’t sit still, but all the better to get me enjoying fluid lines again and trying to get as much character as possible in a simple sketch. And a bit more into horses, after being in at the deep end at Cartmel races last year. These equine lovelies are studies from Mudchute Farm riding school, the City of London police, and a few race horses from a stay on a stud farm this week. Plus a donkey, pony and even a foal, I’ve almost got the family covered, and so interesting to see the obvious, and subtle, differences in anatomy between them. I’ve not idea where to take these drawings, as they’re very much sketches, but the odd shapes and curves of animals, and such definite characters, are addictive to draw and so different to any other genre, I’ll have to do something with them…

A beautiful model and her whippets in the studio

not real sheep, but model sheep set up in a Samuel Palmer-like setting made… of broccoli!

Little boy and his dad looking at pigs, Spitalfields Farm

Rider and restless horse

Pigs at Mudchute Farm

Cos the horse

Little girl and goats, Mudchute Farm

Little Monkeys, London Zoo

Sheep in the shade, Sussex Downs

Bugsy the police horse

A race horse, Sussex

Donkey, Spitalfields Farm

Racing horses necking

Racing horse in a stable

Pony

Foal

Silverback Gorilla at London Zoo

Sleeping Tiger at London Zoo

Dozing Minnie

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About thetownmouse

I’m Joanna Moore, a compulsive drawer and architectural historian. I studied Architecture and History of Art at university, and completed the postgraduate Drawing Year at the Prince’s Drawing School, where I won the Patron’s Prize. I have exhibited in Spitalfields, the Tea Building in Shoreditch, the Prince’s Drawing School, and Southwark Cathedral. All my work is produced, or developed, from drawings done from observation. I never use a camera, and work on site, whatever the weather. My prints and paintings are often re-worked from these original drawings, many monotypes are created on location. When I’m not drawing, I can be found continuing to work for Prince’s Drawing School, teaching 10-14 year-olds drawing at the Victoria & Albert Museum as part of the Prince’s Drawing Clubs, cycling through the streets of London, baking, or winding down with a Gn’T and a cat on my lap. This blog is a personal diary of my ambition to draw and make, my work, travels and inspirations. Why the town mouse? It seemed appropriate for how I feel scampering around my favourite city and drawing on street corners.

5 Comments

  1. Linda Salter

    Broccoli trees and Cos the horse are particularly evocative

  2. April spencer

    Lovely to see the lovely animal forms, such a contrast to the architecture!

  3. Miriam

    Love the way you captured the strength in Cos’ neck and the look in his eye. Beautiful blog, Jo.

  4. Sophie Nettleton

    I’m in love with Ms. Minnie obviously but especially the grace of the race horse profile Jo. Super super.

  5. Mark Buxton

    Thanks for sharing your work on the internet. its inspirational

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